Gonzalo Barondo
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Borondo began his career as a muralist in 2007. His projection of contemporary art in public
spaces attempts to break down the barriers between art and life, questioning the limits of the
cultural heritage of the context, while paying respectful homage to it. Borondo’s work is the
result of a powerful dialogue between his art and the spaces in which it is located.
His most recent projects include: the intervention in the temple of Chartrons, in Bordeaux, as part
of the cultural cycle Liberté! 2019; at the Contemporary Museum of Rome (2018-2019); at the
Festival de Musiques Interdites de Marseille; in Berlin (Urban Nation Contemporary Art Museum);
and at the Altrove Festival (Italy). He has had solo exhibitions in Madrid, Paris and London, and
has murals in Kiev, Lisbon, Milan, Barcelona, Honolulu, New Delhi, Copenhagen, Atlanta, Rome,
Istanbul, Madrid and Las Vegas, among many others.
www.gonzaloborondo.com
spaces attempts to break down the barriers between art and life, questioning the limits of the
cultural heritage of the context, while paying respectful homage to it. Borondo’s work is the
result of a powerful dialogue between his art and the spaces in which it is located.
His most recent projects include: the intervention in the temple of Chartrons, in Bordeaux, as part
of the cultural cycle Liberté! 2019; at the Contemporary Museum of Rome (2018-2019); at the
Festival de Musiques Interdites de Marseille; in Berlin (Urban Nation Contemporary Art Museum);
and at the Altrove Festival (Italy). He has had solo exhibitions in Madrid, Paris and London, and
has murals in Kiev, Lisbon, Milan, Barcelona, Honolulu, New Delhi, Copenhagen, Atlanta, Rome,
Istanbul, Madrid and Las Vegas, among many others.
www.gonzaloborondo.com
Borondo began his career as a muralist in 2007. His projection of contemporary art in public spaces attempts to break down the barriers between art and life, questioning the limits of the cultural heritage of the context, while paying respectful homage to it. Borondo’s work is the result of a powerful dialogue between his art and the spaces in which it is located. His most recent projects include: the intervention in the temple of Chartrons, in Bordeaux, as part of the cultural cycle Liberté! 2019; at the Contemporary Museum of Rome (2018-2019); at the Festival de Musiques Interdites de Marseille; in Berlin (Urban Nation Contemporary Art Museum); and at the Altrove Festival (Italy). He has had solo exhibitions in Madrid, Paris and London, and has murals in Kiev, Lisbon, Milan, Barcelona, Honolulu, New Delhi, Copenhagen, Atlanta, Rome, Istanbul, Madrid and Las Vegas, among many others. www.gonzaloborondo.com