Marc Sarrazin
Designer Paris / France
2
![Marc Sarrazin](https://img.edilportale.com/profile-image/thumb4_394abace-decd-4d15-aae9-0ff623681094-log1.jpg)
![Minkowski](https://cdn.archilovers.com/projects/b_730_64e78410-377c-41d8-a534-cdccb8ae58d6.jpg)
Minkowski
Paris / France / 2012
![Moire](https://cdn.archilovers.com/projects/b_730_787c0f67-52af-4650-9aeb-9891b22679b6.jpg)
Moire
Paris / France / 2012
![Rêveil 03](https://cdn.archilovers.com/projects/b_730_c18742b4-b8ce-4408-bb64-914e57825250.jpg)
Rêveil 03
Paris / France / 2012
![Rêveil 02](https://cdn.archilovers.com/projects/b_730_0f8212ad-3552-480c-b341-19aa7796ee0a.jpg)
Rêveil 02
Paris / France / 2012
![Rêveil 01](https://cdn.archilovers.com/projects/b_730_d240f8e5-b39a-4875-be83-a2dd34603408.jpg)
Rêveil 01
Paris / France / 2012
![A poils](https://cdn.archilovers.com/projects/b_730_e5315c23-32ee-4c1c-8a61-6f816b5810e9.jpg)
A poils
Paris / France / 2006
Born in 1982, Marc Sarrazin graduated of ENSCI Les Ateliers, after a degree in wood sculpture at Ecole Boulle. He started working with François Azambourg, and now works with Neil Poulton, in Paris ; he also develops his own projects as freelance designer. He got a VIA Label for his lamp “à poils” produced by Ligne Roset and an Observeur du Design Label for his “rêveils” project.
“My work is focused on the idea of ornament and of its mechanisms. I see it as a way of amplifying the potential
“My work is focused on the idea of ornament and of its mechanisms. I see it as a way of amplifying the potential
![Marc Sarrazin](https://img.edilportale.com/profile-image/thumb2_394abace-decd-4d15-aae9-0ff623681094-log1.jpg)
Born in 1982, Marc Sarrazin graduated of ENSCI Les Ateliers, after a degree in wood sculpture at Ecole Boulle. He started working with François Azambourg, and now works with Neil Poulton, in Paris ; he also develops his own projects as freelance designer. He got a VIA Label for his lamp “à poils” produced by Ligne Roset and an Observeur du Design Label for his “rêveils” project. “My work is focused on the idea of ornament and of its mechanisms. I see it as a way of amplifying the potential